
Charliah
Filmmaker
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TOUCHING
Touching begins in a high-crime suburban area of Georgia where Fleur and Jasmine visit their cousin Naya at their Auntie and Uncle Rollins’ house with their mom, Ava, a nurse. When Ava abruptly has a work emergency, she leaves her daughters behind to sleep over with their cousin. Having never spent the night at their place before, six-year-old Jasmine is excited. Unfortunately, the excitement doesn't last for long. A series of unsettling acts spoil the night as Naya torments the sisters, ultimately taking on a monstrous form as she attempts to steal Fleur and Jasmine's innocence. As the older sister, Fleur must battle to protect her sister and herself.
Touching deals with the delicate and often unacknowledged issue of intra-familial child abuse in this courageous new thriller - all without ever relying on gratuitous representations of said abuse. Young children become the molesters while other children become the prey.
This is a deeply personal exploration of intrafamilial molestation and its effects on kids in the family. It's a story that hits close to home for me and I wanted to shed light on a subject less spoken of.
It is a call to action, a plea to introduce the idea that sex education and family secrets like these need to be talked about more often. We often blame kids for their lack of understanding or destructive behavior regarding child-on-child sexual assault (COCSA) and similar incidents, but the adults are at fault for creating unsafe environments in the first place.
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In Post-Production

Quarter-Life Crisis
Quarter-Life Crisis is an NYU TV dramedy that I'm showrunning. It focuses on the transition from teenhood to adulthood. It focuses on the awkwardness of self-discovery through Sage, a socially naive, determined, caring young woman. She discovers she’s unable to conquer her long-time dream of attending Columbia University with her best friend, Ripley. Instead, she takes on the responsibility of caring for her Mom, Ellie, who has stage three colon cancer. Outside of caring for her Mom, Sage works in a record store under the guidance and love of her manager, Forest. He’s a fun-loving cuddly bear who treats Sage like a younger sister and gives her advice from time to time, even more so now that Ripley is off at Columbia. When Sage is forced into singing for an open mic night, she re-meets Brandon, a rich playboy from high school who is now an amateur music producer. Throughout the series we watch Sage balance her newfound interest in music with her tough personal life.
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In Post-Production

MUSIC VIDEOS
CHECK OUT THIS UNPOSTED NYU VIDEO
CHARLEXENT VISIONARIES
HIGHSCHOOL SHORT FILMS BELOW











